Thursday, 26 January 2012

Inca Public Market - Charmaine Lay and Carles Muro, Dezeen







The zigzagging wooden roof of this market hall in Majorca snakes around a plaza and over a car park entrance before sloping down to meet the ground.
Completed by architects Charmaine Lay and Carles Muro, the Inca Public Market and new plaza replace an older market hall that formerly occupied the site.
The building also accommodates small shops and council offices plus an underground supermarket and car park that are located beneath the public square...

 Link To Article

Fabbrica Bergen - Tjep





After the succes of Fabbrica Rotterdam (completed in 2005) we were asked to design a second Fabbrica in the famous costal artist village of Bergen in The Netherlands. We revisited several of the original elements, for example the train cabins with a new look and feel, we like the concept for it's intimacy and romanticism for there is nothing more relaxing and engaging then enjoying a nice dinner on a train while looking at nice landscapes. This installation is lifted from the ground and suggests travel and movement. The large Pizza Oven covered with Bisazza tiles is an absolute eye-catcher and the very industrial wood containers hold all the wood to fuel the oven and all the electricity to fuel the lights! As for the general looks we decided to take a more earthly and less gloss and shine approach as compared to Fabbrica Rotterdam. In Bergen we show materials instead of using painted surfaces. We did this to be more in touch with the economic context of the moment. It's not time for Bling Bling anymore, people want more authenticity and less entertainment...

Wednesday, 25 January 2012

Texlon ETFE Foils - Vector Foiltec






The Texlon® cladding system offers designers unparalleled opportunities in the development of the climatic envelope.

Texlon® consists of pneumatic cushions restrained in aluminium extrusions and supported by a lightweight structure. The cushions are inflated with low pressure air to provide insulation and resist wind loads.

The cushions are manufactured from between two and five layers of the modified copolymer Ethylene Tetra Fluoro Ethylene (ETFE). Originally developed for the space industry, the material is unique in that it does not degrade under Ultra-Violet light or atmospheric pollution.

As Texlon® is extremely long lasting, it can be used as part of the permanent building envelope. Furthermore, as the surface is very smooth and has anti-adhesive properties, Texlon® ETFE self cleanses under the action of rain.

Texlon® combines exceptional light transmission with high insulation. Each layer can incorporate different types of solar shading, enabling the designer to optimise the aesthetic and environmental performance of the building envelope...

Wednesday, 18 January 2012

Cord Lamp - Design House Stockholm




You can keep letting it irritate the hell out of you. Break your neck tripping over it. Or surrender, hide it behind the skirting board or press it into a groove. But it?s smarter to make friends with the enemy, as so amusingly illustrated by cord light, which turns the cursed flex cord into a simple eye catcher. We probably shouldn?t claim that the lamp conveys a message, but just for fun, how about ?make peace not war?? From a snake nest of winding cords, this lamp shoots straight up and stands tall on its own. Surprising the eye by challenging the unexpected, the Cord Light is simple, yet characteristic. The cord, one of the most disturbing decorating details has been made useful.

LessLamp - Jordi Canudas





Less Lamp is a sealed lamp shade that needs to be broken in order to release the light trapped within. The shell is cracked using a specially designed hammer. The user decides the appearance and position of the hole depending on how much light is required and where it is to be directed.

The Monolith - Gioia Design





The Monolith is a sculpture with a purpose, it transforms to dine 10 people, the table top unfolded measures 90 cm x 250 cm / mirror polished, the seats fold up each chair slots into the table, the sculpture measures 45 cm x 74 cm x 250 cm, the material is stainless steel...

Clouds - Kvadrat





Clouds is an innovative, sophisticated and colourful new tile concept for the home, designed by the internationally acclaimed Ronan and Erwan Bouroullec, in collaboration with Kvadrat. The tiles can be used as an installation or be hung from a wall or ceiling. It's up to you...

Smoking Machine - Kristoffer Myskja




Does exactly as it says on the tin,
Crackers!!!

Tuesday, 17 January 2012

Knelt - Ubiquity Design Studio




Ubiquity Design Studio was created in 2010 by Tim Spencer, an industrial designer-maker whose chosen style and ethos is based on simplicity and elegance via sustainability and resilience.


Having worked for many years as a Paediatric Nurse, Tim recognised a creative calling to design, returned to study and graduated with a First Class Hons Degree in Product Design. His aspiration was to become a designer-maker through the industrial process and Ubiquity Design Studio was opened months later, with a core design value to adopt British manufacturing, using indigenous materials where ever possible. Fittingly, although this market is not the sole focus of the studio, the launch range is for children...

Sunday, 15 January 2012

Graphic Concrete





Graphic Concrete

Our products are based on a special membrane spread over the mould table, allowing precast concrete manufacturers to produce high-quality concrete elements and slabs. Depending on the product, the end result is a concrete surface that is patterned, smooth or completely exposed.

Ornamental Plasterwork - Kathy Dalwood




Ornamental


Introducing the collection 

This on-going collection was conceived as a contemporary alternative to traditional ornamental plasterwork and external relief decoration. 

Architectural friezes and decorative plasterwork have been used to embellish the facades of buildings and to introduce a relief decorative element to interiors since classical times. The motifs in these collections refer at times to imagery characteristic of the architecture of the past – from the Baroque to the Modernist movements – but distinctively and in contrast to traditional sculpted reliefs, the motifs are indented to the surface. 

Caixa Forum - Herzog De Meuron







A magnet
The CaixaForum is conceived as an urban magnet attracting not only art-lovers but all people of Madrid and from outside. The attraction will not only be CaixaForum's cultural program, but also the building itself, insofar that its heavy mass, is detached from the ground in apparent defiance of the laws of gravity and, in a real sense, draws the visitors inside.

A new address for the arts
The CaixaForum-Madrid stands on an advantageous site facing the Paseo del Prado and the Botanical Garden vis à vis. This new address for the arts is located in an area occupied until now by unspectacular urban structures, the Central Eléctrica Power Station, and a gas station. The classified brick walls of the former power station are reminiscences of the early industrial age in Madrid, while the gas station, a purely functional structure, was clearly out of place. Like a vineyard that could never develop its full potential because it was planted with the wrong grape, this prominent location could not develop its full potential. The demolition of the gas station created a small plaza between the Paseo del Prado and the new CaixaForum in the converted power station..

ReAktivRaum - Felix Hild





For celebrating 6 years Loonyland Felix Hild created an interactive room design using multi-output living surface systems. The visual design of the room is directly and indirectly influenced by the visitor’s dance moves. The spatial interaction combined with the dynamics of the music creates a synesthetic overall impression and delivers a completely new experience for show events and for interior design in music clubs.

LinkTo Site 

Zenith Music Hall - Massimiliano Fuksas






Situated in a distinctly non-builtup area outside the city of Strasbourg.  Poised between the suburbs and city centre.  A place for music which  the most sophisticated connoisseurs describe as uncultured.  A facility for accommodating an audience of 10,000-12,000.  A shrine to hip-hop and events belonging to the culture of people living outside historical city centres.  To be more precise, it was a question of creating a place for consecrating new suburban cultures and new multi-ethnic languages. The Strasbourg Zenith is the beating heart of the languages and dialects of outsiders.  But it also belongs to those people who are part of the multitudes attending the ritual performances of pop concerts and who follow the schedule of events, which see leading bands and the world of show business shift from one side of Europe to the other.  The Zenith is also a semicircular space in which the closeness of people to each other transforms the events-crazy spectators into one single hub.
The Strasbourg Zenith, the biggest in France (Zenith is the name given to all these music facilities sharing the same stylistic features and hence awarded the "Zenith Label").
1.  Landscape.  As you drive along the motorway turnoff leading into the centre of Strasbourg the landscape you see is totally unrecognizable and lacking in any striking features.  Horizontality dominates everywhere.  Traces of vegetation probably call to mind small woodlands which have been wiped out down the years by farming and rather unlikely constructions.  This is what happens in the outskirts of the city of Strasbourg.  A bourgeois city poised between Germany and France.  My grandmother's home city, who was both German and Alsatian by birth.  As are all the inhabitants of the region, which is just a 5-minute drive from the border.  Hardly surprisingly Strasbourg is considered a European city.  Home of the European Parliament, with Luxembourg and the Netherlands just a few hundred kilometres away, as well as Switzerland.  A very self-sufficient area, which, until just a few months ago, was a long way from Paris but which now, thanks to the TGV, can be reached in three hours.  It has become a city connecting together the German and French high-speed railway networks.  The definitive passageway towards Eastern Europe.  Strangely enough, it will in fact be Strasbourg with its high-speed lines which will exclude Italy from the major routes of high-speed European trains.

Lace Fence - Joep Verhoeven





Lace Fence is a design of Dutch Design House Demakersvan. It is a high-end metal fabric that gives new insights in how you can create unique environments.
It combines the ancient craft of lace making with the industrial chainlink fence. Every fence is unique in its design by its craft and assembled patterns, which come in a variety of themes. From antique lace floral to contemporary designs and custom art patterns.

Saturday, 14 January 2012

Tree Tents - Dre Wapenaar





Dré Wapenaar in his speech at the International Design Conference,
Aspen Colorado, june 2001:

“The story of my tents as they relate to campsites, however, started with the TREETENTS which were originally designed for the ROAD ALERT GROUP in ENGLAND. This group of activists fight against the excessive constructing of highways through forests. During their protest they cover themselves and hide and live in the trees to fight as long as possible against
the rushing violence of the chain sawers. The TREETENTS would provide a comfortable place for them to stay during their habitation of the forest and prevent the trees from being cut down.
Even though I designed the tents for use by the ROAD ALERT GROUP the project never happened. Before I finished it, a representative from a
campsite saw the drawings of the TREETENTS and convinced me to sell them this project. It was a huge success; and is still in use today.
- They are rented 5 months out of the year. Two adults and two children can sleep on the main floor which is about 9 feet in diameter.
-The form for these tents naturally developed itself, when I hung a circular platform with a rope on the side of a tree. My inspiration for the shape was not the dewdrop.
Form followed function.”

Basic House - Martin De Ruiz Azua





A basic inhabitable volume; foldable, inflatable and reversible. (Experimental prototype made from metalized polyester). MOMA collection New York.

Our habitat has turned into a space of consumption in which an unlimited number of products satisfy a series of needs created by complex systems and relations that are difficult to control. Cultures that maintain a more direct interaction with their environment show us that the idea of habitat can be understood in more essential and reasonable terms...

 Link To Site

Friday, 13 January 2012

Mute Room - Thom Faulders




Created for the Rooms for Listening exhibition, Mute Room invites visitors to recline upon a wave of memory foam that fills the gallery space. As a room-sized device for listening to experimental electronic music, a contour of the foam's surface operates as a sound baffle to enhance acoustical clarity. Similar to the way that musical notes 'decay' in the air before dissipating, this surface has a transitory quality - impressions linger until fully erased by the slowly acting foam.
Many people will have experienced the intelligent material of memory foam in the form of earplugs that expand to fill the cavity of the ear, often used to dampen the sound of airplane engines or over amplified sound systems...

Agano Machiko