Tuesday, 5 March 2013
Puzzle - Bitplay
Play with time – or at least, play with your alarm clock. Puzzle makes it fun to set your alarm by letting you manipulate the numbers yourself. It is an elegant wooden box, with a front face that has four digits that are flush against the face. You physically arrange the strokes of the digital numbers in order to set the time on your alarm. When it is correctly set, the alarm icon lights up in the corner of the face.
Link To Site
TikTikTik - Bitplay
TikTikTik is the perfect light for reading or even just cuddling a bit
before bed—or for people who otherwise forget to turn off the light! Pulling down on TikTikTik’s pull chain sets the length of time the light
is on. The further you pull the chain, the longer the lamp stays on. The lamp pull retracts silently until a few minutes before the timer runs out. The light dims and then turns off.
BANG! - Bitplay
BANG! is a desk lamp with a gun-shaped remote controller. User can fire the “gun” to turn the light off. The light goes out and the lampshade knocks to the side, showing that it’s been hit. To turn it back on, simply shot it again, and the lampshade will raise up slowly and turn the light back on at the same time.
Link To Site
Bitplay
Why shouldn’t we have fun with our everyday objects? It’s important for things to be usable and elegant. But what if there’s the possibility of a little something more—a little bit of playfulness in how we interact with our objects?
That’s the idea behind bitplay. We design objects that have a sense of humor, that bring a little magic to our everyday interactions. Little delights can trigger something big—that’s why we’re called bitplay.
Link To Site
Thursday, 14 February 2013
Black Maria - Richard Wentworth and GRUPPE
Black Maria, by Richard Wentworth and Swiss architecture practice GRUPPE, is part of RELAY, a nine-year arts programme that is enlivening the new public spaces at King’s Cross and turning the area into a destination for discovering international contemporary art that a celebrate the area’s heritage and its future. The second commission in the King’s Cross series, Black Maria, is a structure that acts as a place of meeting, based around discussion, performance and moving images.
Launching on 12 February 2013 for an initial 28 days, with the potential to be brought back at a later date, the Black Maria comprises a collection of spatial elements of varying sizes that recall an early film studio of the same name. The structure will be installed in The Crossing, in the Granary Building, the new home of Central Saint Martins College of Art and Design. The Crossing brings together several departments of the art school, new commercial tenants at the development, a restaurant and the public, which Wentworth and GRUPPE see as the ideal conditions to create a place of exchange.
The emphasis is on flexibility and happenstance, both in terms of the construction’s physicality and in the programming being arranged around it. Black Maria sits at one end of The Crossing, facing the larger part of the hall as a kind of inhabitable billboard with a staircase auditorium behind it. The talks happen “within” the billboard, allowing for different kinds of audience on either side of it: a more intimate audience within the structure; and another potentially much larger audience outside the structure. The billboard makes use of a large door to allow events to be either closed and private, or open to the hall and public. Black Maria recalls the vital but forgotten timber scaffolds used to build King’s Cross’ industrial past, and building site hoardings used today. In a related sense the Black Maria is a support structure for the community activities in the hall today
“You have to magnetise some venues more than others so that people who feel that they are there ‘by accident’ are mixed with people who have a clear ‘sense of purpose’. This is an obvious condition of metropolitan space”, says Wentworth.
Richard, who has lived near King’s Cross since the 1970's, has witnessed and chronicled the transformation of the area through projects such as 'An Area of Outstanding Unnatural Beauty', created for Artangel in 2002. Much like Black Maria, the Artangel work was an experiential one, encouraging visitors to walk into apparently unremarkable shops and alleyways around King’s Cross and see them from a fresh perspective...
Link To Site
Link To GRUPPE
Wednesday, 13 February 2013
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